DON’T DREAM OF CITIZENSHIP

The international pitching forum in Taiwan, CNEX, proved that there are many more Ai Weiweis in China. And in recognition of the solid stories and...

Three in One:
Director, Freak, Artist

At first, one takes The Reunion for the “re-enacted documentary” it’s meant to be. But then things start to get a bit complicated. Pamela Cohn...

The Promised Land

Big Fish School of Digital Filmmaking aims to create a space and a future in the broad media landscape for marginalized youths in South...

Hollywood on the hunt
for authenticity

The colourful and dramatic documentary, The Bengali Detective, has been sold to Hollywood. As part of the Nordisk Panorama industry programme,...

Where to go
with the Alphabet?

ALPHABET Directed by Erwin Wagenhofer, Austria, Germany, 2013, 107 minutes Erwin Wagenhofer’s new film, Alphabet, further draws attention to...

Animated Linguistics

IS THE MAN WHO IS TALL HAPPY? Directed by Michel Gondry, France, 2013, 88 minutes WORDS: Tove Torbiörnsson FILMOSOPHY. How do we know a...

MOMENTS BEFORE
THE FLOOD

I want to question the images that are in our memory. There is always a double level in my work; what you see is true, and at the same time, not...

Behold the Man

Luciano Barisone, director of Visions du Réel, shares some of his favourite films from the past year of documentary. To choose films that...

Journalism
beyond words

In an ongoing series of articles on sound design in documentaries, Peter Albrechtsen focuses on the sensuous sound design of one of last year’s...

Being part
of the Circle

Veteran filmmaker Joan Churchill was the recipient of this year’s Outstanding Achievements in Documentary Filmmaking Award at Camerimage,...

Defiance Is Present

Özge Calafato looks at some of the most compelling recent documentary works from the Arab World. Three years after the self-immolation of...

Constructing
‘Losing Sonia’

EDITORS CHOICE: DVD in DOX #101 Losing Sonia is a portrait of a nun, of the church in Ivanovo, and of contemporary Russia, all in one. While most...